https://www.hiddenjadeartstudio.com/brush-stories daily 0.75 2026-10-18 https://www.hiddenjadeartstudio.com/brush-stories/chinese-dragon monthly 0.5 2026-10-18 https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/a4212cde-6cd4-4ee8-9a35-32adef721968/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-10-17+13.37.51.png Brush Stories - Why Is the Chinese Dragon a Symbol of Good Fortune? A dragon by Hidden Jade Art Studio, with branching horns, overlapping scales and hooked claws. Explore Dragon PNG Clipart Collection https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/f39f9e49-8047-4001-b4e5-a1cabc28cb24/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-10-17+10.32.20.png Brush Stories - Why Is the Chinese Dragon a Symbol of Good Fortune? Head detail: the horns, head, eyes and ears are four of the traditional nine resemblances. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/0250ac86-bd03-4e59-93d1-96a33b231f96/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-10-17+11.10.15.png Brush Stories - Why Is the Chinese Dragon a Symbol of Good Fortune? The curving neck, overlapping scales and contrasting underside. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/cad20a6e-a303-4fcd-b14b-c2f5d6c2b94d/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-10-17+11.13.16.png Brush Stories - Why Is the Chinese Dragon a Symbol of Good Fortune? The paw and its hooked claws combine two separate animal comparisons. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/64dacf55-bebc-46a9-b7da-e6e0d60a63f0/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-10-18+9.56.38.png Brush Stories - Why Is the Chinese Dragon a Symbol of Good Fortune? Golden Dragon —a golden dragon among curling clouds on a red circular background. Explore Golden Dragon : [Digital download] · [Physical print] https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/6327f2b4-4ab0-496d-a1ce-e34eaaa07856/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-10-18+9.56.29.png Brush Stories - Why Is the Chinese Dragon a Symbol of Good Fortune? Golden Dragon with Clouds — curling clouds surround the dragon, with waves beneath it. https://www.hiddenjadeartstudio.com/brush-stories/quiet-beauty-of-gongbi monthly 0.5 2026-10-17 https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/8d0e1e1e-62b0-46bc-b8b2-e07acc414fd5/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-10-17+13.38.39.png Brush Stories - The Quiet Beauty of Gongbi: Painting Through Line, Layer and Patience - 目立たせよう Two pigeons on a plum branch, painted in ink and colour on rice paper. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/f2946a3d-e374-4191-8331-82abd0242f5a/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-09-22+13.25.53.png Brush Stories - The Quiet Beauty of Gongbi: Painting Through Line, Layer and Patience - It begins as a line The pigeon begins as a fine outline before its feathers and colour are built up https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/bd4664b2-051d-4007-bbda-16a009be204d/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-09-22+13.26.07.png Brush Stories - The Quiet Beauty of Gongbi: Painting Through Line, Layer and Patience - Grey comes before blue The feathers are not painted blue straight away. First, my father builds the wing in ink. The shoulder feathers are shaded scale by scale in soft grey; the flight feathers go down darker. At this stage the pigeon is almost monochrome, a study in shades of black. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/4ba0f740-2ea9-416f-8ab6-cf1b1221cfd9/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-09-24+17.13.53.png Brush Stories - The Quiet Beauty of Gongbi: Painting Through Line, Layer and Patience - 目立たせよう Fine feather detail beside the freer brushwork of the plum branch https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/e902329b-011e-43ef-91c5-827d6e1286bd/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-10-17+13.39.02.png Brush Stories - The Quiet Beauty of Gongbi: Painting Through Line, Layer and Patience - 目立たせよう Short brushstrokes build the kitten’s fur. in the finished painting, its whiskers and the butterflies come into view https://www.hiddenjadeartstudio.com/brush-stories/the-beauty-of-xieyi monthly 0.5 2026-10-17 https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/cc927590-02c2-476f-a8c6-847252131a42/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-10-17+13.38.15.png Brush Stories - The Beauty of Xieyi: When Ink, Water and Emotion Meet - 目立たせよう Golden Pheasants and Osmanthus (富貴吉祥), painted in the expressive Xieyi style. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/0d4447f8-ff41-4945-b323-0bd30fe10522/image2-2%E3%81%AE%E3%82%B3%E3%83%92%E3%82%9A%E3%83%BC.png Brush Stories - The Beauty of Xieyi: When Ink, Water and Emotion Meet A soft wash suggests the rounded body of a bird. A sharper, darker stroke defines the beak or eye. Dry, broken ink becomes the texture of bark; a wetter brush makes a leaf feel full and newly opened. Each change carries information. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/a377829a-0452-49ed-a61a-abb5678643ba/image3.png Brush Stories - The Beauty of Xieyi: When Ink, Water and Emotion Meet - 目立たせよう A pale koi formed with watery ink beneath the heavier leaves of the lotus. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/79040a48-21ff-4e45-8c8f-e18a29f9a002/exec-de058459-baf3-4ef7-9878-95c3dac7c46e.png Brush Stories - The Beauty of Xieyi: When Ink, Water and Emotion Meet The finished image may look spontaneous, but spontaneity is not the absence of control. It is control that has been practised deeply enough to feel natural. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/2ece40e8-070a-4d97-8da7-8836f7615498/image5.png Brush Stories - The Beauty of Xieyi: When Ink, Water and Emotion Meet - Another subject, the same brush language The monochrome chrysanthemum offers a quieter final example. Fine, open lines hold the petals, while broader, darker marks give weight to the leaves and stems. Without colour separating the forms, differences in pressure, moisture and speed become the painting's structure. The subject has changed, but the principle remains: one brush can carry many voices. https://www.hiddenjadeartstudio.com/brush-stories/gongbi-xieyi-lotus-painting monthly 0.5 2026-10-17 https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/f63b4501-2393-471b-9ab9-d3c157b83349/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-08-05+20.18.43.png Brush Stories - Gongbi and Xieyi: Two Ways of Painting the Lotus - 目立たせよう Xieyi lotus (left) gongbi lotus (right) https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/8969d895-eeee-42db-a41d-5e6aa0621dda/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-08-08+17.35.36.png Brush Stories - Gongbi and Xieyi: Two Ways of Painting the Lotus - Gongbi: beauty built slowly The name gongbi is often translated as “meticulous brushwork.” It begins with precise lines that establish the structure of the flower: the curve of each petal, the turn of a stem, the edge of a lotus leaf. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/dfdc8d9f-92c2-4ba2-89cd-dbd0301bea2f/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-08-08+17.36.11.png Brush Stories - Gongbi and Xieyi: Two Ways of Painting the Lotus - Xieyi: capturing the spirit Xieyi is commonly translated as “writing the idea” or “expressing the meaning.” Instead of describing every visible detail, the artist decides what is essential—and lets the brush carry that impression. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/f534dbe6-5b62-43f7-bf02-a10e170a570b/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-08-08+20.58.11.png Brush Stories - Gongbi and Xieyi: Two Ways of Painting the Lotus - 目立たせよう Xieyi leaf (top) — one broad stroke. Gongbi leaf (bottom) — fine outline, layered by hand. https://www.hiddenjadeartstudio.com/brush-stories/xuan-paper monthly 0.5 2026-10-17 https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/73088405-d159-445f-84de-a11fa9890aac/IMG_0129.JPG Brush Stories - Why Does Ink Spread on Some Chinese Paintings, But Not Others? - 目立たせよう Left: ink blooms into raw Xuan. Right: ink remains contained on sized Xuan. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/ee998917-beda-47b3-8733-c539ba8f485d/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-07-28+17.21.59.png Brush Stories - Why Does Ink Spread on Some Chinese Paintings, But Not Others? - 目立たせよう On absorbent raw Xuan paper, moisture carries the ink into the fibres, creating soft transitions and spreading edges. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/d31a13ad-354e-4822-8423-2f33e8fe3571/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-07-28+17.29.20.png Brush Stories - Why Does Ink Spread on Some Chinese Paintings, But Not Others? - 目立たせよう On sized Xuan paper, ink remains closer to the brushstroke, making controlled lines and gradual layers possible. https://www.hiddenjadeartstudio.com/brush-stories/types-of-seals monthly 0.5 2026-10-17 https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/abfeef8b-94d1-454f-9ddd-a5e101ce4b84/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-07-18+14.40.16.png Brush Stories - Why Chinese Paintings Have More Than One Seal - 目立たせよう それが何であれ⁠、オンラインでスト⁠ーリ⁠ーを伝える方法次第で⁠、結果は大きく変わります⁠。 https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/2628da6b-c51c-4908-b264-03edbef631dd/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-07-18+15.51.34.png Brush Stories - Why Chinese Paintings Have More Than One Seal - 目立たせよう Some of the hand-carved seals used in our studio. Traditional painters often own multiple seals, each serving a different purpose. https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/0cc1c05d-78f2-45ce-be90-26a98b2e0ca3/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-07-18+14.43.42.png Brush Stories - Why Chinese Paintings Have More Than One Seal - 目立たせよう それが何であれ⁠、オンラインでスト⁠ーリ⁠ーを伝える方法次第で⁠、結果は大きく変わります⁠。 https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/d98cc1a3-a09f-4ec0-9857-d181076e695d/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-07-18+14.47.12.png Brush Stories - Why Chinese Paintings Have More Than One Seal - 目立たせよう それが何であれ⁠、オンラインでスト⁠ーリ⁠ーを伝える方法次第で⁠、結果は大きく変わります⁠。 https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/85c98bc7-a3f9-47fa-b02e-eae331cb038c/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-07-18+15.57.53.png Brush Stories - Why Chinese Paintings Have More Than One Seal - 目立たせよう それが何であれ⁠、オンラインでスト⁠ーリ⁠ーを伝える方法次第で⁠、結果は大きく変わります⁠。 https://www.hiddenjadeartstudio.com/brush-stories/red-seals-chinese-painting monthly 0.5 2026-10-17 https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/b6c118a4-6984-4acf-8f5b-86f827b2572e/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-07-06+20.48.43.png Brush Stories - Why Do Traditional Chinese Paintings Have Red Seals? - 目立たせよう Traditional seal carving tools and stone seals https://images.squarespace-cdn.com/content/v1/6a478f7cfcd01a56ac054648/3ce66acb-9545-41d6-bf97-ec1876f196ce/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2026-07-06+20.52.02.png Brush Stories - Why Do Traditional Chinese Paintings Have Red Seals? - 目立たせよう Applying traditional cinnabar seal paste 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